By the time you've read this phrase, a new customer has either visited a site and been intrigued, read more or clicked through OR they've been visually, psychologically or emotionally jarred and have already bounced out.
When clicking a search result, a customer is either very certain that the site name, overview description and/or keywords they sought are there and they have high probability of a match, or they're not quite certain and out of curiosity or desperation they're taking a look at anything that might bring them closer to their desired result. So net is that by the time a site shows up on their screen they already have a likelihood of delight and satisfaction, or anxiety.
One click and they're viewing the homepage or content page.

They're reacting to:
Overall Color Scheme
Whether, to them, it connects in any fashion to the brand/product/service category appropriate to color theory responses elicited from hues, shades, tints and tones:
- White: Pure, cold, clean, virtuous, goodness, simple, angelic, winter
- Brown: Plain, predictable, safe, grounded/earthy, reliable/dependable, dull
- Pink: Feminine, flirtatious, sexual
- Black: Morbid, powerful, timeless, elegant, formal, evil, mystery, death, edginess
- Orange: Hot, fast, fun, energetic, health, friendly
- Purple: Feminine, rare, royal, romance, luxury
- Yellow: Cheerful, happy, warm, cowardice, hope, mourning, courage
- Blue: Peaceful, authoritative, powerful, responsible, fresh, strong, reliable, calm
- Red: Danger/war, passion, power/importance, luck
- Green: Nature, growth, health, beginnings, envy, naivete, wealth
- Grey: Moody, conservative, mourning, formal, corporate, sophisticated
- Beige/Tan: Cool, warm, conservative, piety, background
- Cream/Ivory: Sophisticated, quiet, history, calm, elegant
Balance and Proportion
The harmony of whether elements above the line appear parts of a unified whole:- Percentage of real estate taken up by images v. "white space" v. text
- Physical location of blocks of each creating shapes (lines, rectilinear boxes/blocks, curved circles/stars/oblongs)
- Assimilating the familiarity of a newspaper or newsletter with typical masthead/brand ID area, or the newness of being without it
Font(s)
- Size appropriate to primary, secondary, tertiary importance of message tiers
- Logical/emotional connection to product/service
- Color(s) appropriate to backgrounds, unifying information across the page
- Few enough to differentiate, not so many as to fragment
- Styles consistent with virtual environment standards v. innovative to wildly contrast and create the unexpected
Image(s)
- Connect directly to the brand/product/service
- Connect directly to tagline, topics, headlines, messages
- Convey use (utility)/enjoyment (lifestyle) of the brand/product/service
- Convey their own emotional reaction to the brand/product/service
- Reflect their own demo/psychographic persona (do they see themselves there?)
- Reflect their self-interpreted need for/use and enjoyment of the brand/product/service
Video(s)
- Proportional size to images and message blocks
- Jarring/in-your-face brightness, busy/frantic speed, flashing imagery or music/sound effects selection/volume
- Overwhelming impact relative to brand/product/service
Three seconds is all it takes for a prospect or loyal customer to take in a complete picture of a brand's attitude, its current offerings and customer/market satisfaction with those offerings.
A customer arrives at the site and asks:
"Do I want/need to be here? Right here?"
"Do they have what I want/need?"
"Can I trust that they can/do/will solve my problem?"
A "Yes" or "No" response is just a neuro-cranial impulse away from that finger clicking the "Esc" or back arrow "<" button.
Once they do, will they revisit? Depends on the picture that's been painted, the story that's been told and how it's been perceived/received. Is there a second chance to make a first impression?
(c) 2010 Lisa C. Clark
All Rights Reserved.
(c) 2010 Lisa C. Clark
All Rights Reserved.